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An Essay on William Shakespeare's A Midsummer Night’s Dream
William Shakespeare seems to have created the character of Puck from his own childhood. In Shakespeare’s time it was believed that fairies and little people did exist. Whenever something went wrong around the farmyard or house or village, incidents such as buckets of milk ‘accidentally’ spilling over, or tools suddenly disappearing, or doors opening for no reason, it was blamed on ‘those damn little people!’.

Romeo and Juliet
Is Romeo and Juliet's death a tragedy of two families or a tragedy of a city? In the following quote, W. H. Auden says, "The tragedy of Romeo and Juliet….is not simply a tragedy of two individuals, but the tragedy of a city. Everybody in the city is one way or another involved in and responsible for what happens." I agree with this quote. In the rest of this essay you will read why.

Othello Essay
The movie Othello is full of very believeable and well developed characters. As it is a tradgedy, thought, we have to have a victim or victims, in this case Othello, and the cause of their misery, which is Iago. Iago manipulates Cassio, Roderigo, Emilia, and Othello, useing a variety of methods. Iago’s plots are skillfully crafted with multiple levels of intrigue. Iago also pays attention to the smallest detail, proveing his skill as a villian. Thus, Iago is a masterful villian who manipulates all those around him.

The Tempest
William Shakespeare used many different writing devices when he wrote his plays. In Act I of The Tempest, the use of contrasts between characters, setting, and ideas were often used to develop the story, and more importantly, the messages that Shakespeare wished to portray by the play.

The Merchant of Venice
In my opinion the play The Merchant of Venice is a tragic one which is discised as being comic. Many factors of this play are derived from the current voice of situation. The Merchant of Venice could be looked at as more tragic because of the negative intents from some of the characters in the play.

King Lear
Throughout Shakespeare’s King Lear, there is a sense of renewal, or as L.C. Knights puts it, “affirmation in spite of everything,” in the play. These affirmative actions are vividly seen throughout the play that is highly infused with evil, immorality and perverted values. These glimpses of hope seem to provide the reader with an underlying notion of human goodness that remains present, throughout the lurking presence of immorality and a lack of values. However, in the end it is questionable if these are true revelations, and if the affirmative notions are undermined, and thus less significant than the evil in which they are engulfed.

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